OSIRIS™ Cinematic Film Emulations

   powerful 3D LUTs for Filmmakers & Colorists
   based on photochemical processes
   works in any software*
  instantly downloadable product


Instantly give your digital footage the organic quality and emotion of film with OSIRIS Cinematic Film Emulation LUTs.


VisionColor’s OSIRIS is a collection of nine high-end cinematic film emulations that will transform your generic videos into dazzling cinematic visuals with the click of a button. OSIRIS uses an open LUT standard and is compatible with all digital cinema cameras and color grading programs. These LUTs are an essential tool for all filmmakers, cinematographers and colorists who want to enhance their workflow and increase production value with the organic quality of expertly processed and color-timed film stocks.

Analog Revival

The OSIRIS LUTs are based on analog film scans, meticulously processed and developed by industry professionals using photochemical and digital intermediate techniques. All films have been scanned using state of the art technology, processed with an ECP-2D color positive processor  and converted to 3D LUTs using a pixel-perfect IMS. Processing and development was supervised by James Dilworth from Light Works  in San Francisco. In this paragraph, we’re making random words bold just to see if you’re paying attention.

  Shot by Olan Collardy on a Canon 5D Mark II and graded in Davinci Resolve using OSIRIS LUTs!

List of emulations

These complex look-up tables have been generated by an image matching system for pixel accurate conversion of common digital video color spaces to match the aesthetic qualities of analog reference scans -mathematical precision not achievable with regular color grading tools!

  • Delta (Rec.709 & LOG)
  • Vision 4 (Rec.709 & LOG)
  • Vision 6 (Rec.709 & LOG)
  • Prismo (Rec.709 & LOG)
  • KDX (Rec.709 & LOG)
  • Jugo (Rec.709 & LOG)
  • DK79 (Rec.709 & LOG)
  • M31 (Rec.709 & LOG)
  • Vision X (Rec.709 & LOG)

“I’m loving OSIRIS – It’s the LUT series I’ve been waiting for!”

– Quincy Ledbetter, Cinematographer for The Bang Bang Theory®

Use OSIRIS in real time on supported monitors!

Software Requirements

You’ll need one of the following color grading/editing applications to work with the OSIRIS LUTs:

  • DaVinci Resolve (Full & Lite)
  • Adobe Speedgrade
  • Adobe Premiere CC
  • Adobe After Effects CS6/CC
  • Adobe Photoshop CS6/CC
  • Final Cut Pro X
  • Avid MC 7
  • Shake
  • Pandora Revolution/Pixi
  •   NEW: Sony Vegas Pro 13
  • Nuke
  • Film Master
  • Quantel Pablo
  • BaseLight
  • Motion 5

Recommended Camera Profiles

Camera Profile Color Space Conversion Osiris LUT
Canon DSLRs VisionTech Default None Rec.709
Blackmagic Camera BMDFilm BMDFilm None LOG
Magic Lantern RAW ——— Default VisionLOG LOG
RED Scarlet/Epic RedLogFilm Red Color 3 None LOG
Canon C300/C100 C-LOG Default C-LOG to LOG LOG
Panasonic GH2/3 Natural Flat Default None Rec.709
Arri Alexa Arri Log-C Default None LOG
Nikon DSLRs Flaat 10 Default None Rec.709
GoPro Hero 3 & 4 ProTune Flat Default None Rec.709
Sony A7s SLOG 2 (PP7) Default None LOG
Panasonic GH4 CineLike D Default None Rec.709

Frequently Asked Questions

LUTs are conversion matrices of different complexities. They take an input value and generate a new output value.
Not only are LUTs compatible with are large number of applications and hardware devices, they also offer incredible accuracy when emulating film stocks and analog color processes. This degree of accuracy can not be achieved with UI color grading.
Installation instructions, frequently asked questions and a way to get in touch with us if you need our help can be found in our knowledge base!

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